![]() For instance, in the example just given, you might respond to the line of dialogue by coming in and closing the door after you with a bang, or very slowly, or with exaggerated care, each choice denoting a different subtext.Īmong the pleasures afforded us in viewing a first-rate narrative film or video are a kind of automatic deciphering of possible subtext along with an appreciation (the more conscious, the more pleasurable) of the tension that exists between text and subtext. For a variety of reasons, some of which appear to make sense and some of which do not, we frequently choose to express ourselves obliquely rather than directly, using tone of voice and physical emphasis to convey our real meaning. Context in this sense is all of the grounding and guiding information that the audience needs, such as who the characters are, where they are, what time of day it is, etc. ![]() In order to grasp the subtext of a particular line or gesture in any script (the text)- that is, in order to grasp its underlying or implicit meaning-we need to place it in proper context, to examine that line or gesture in relation to the events or circumstances that surround it.Īgain, in art as in life, people often don't mean what they say or say what they mean. Someone may say, "Come in, and close the door after you," in a manner that implies a request for privacy, suggests wonderful things to follow, or threatens your physical well-being. For example if you were saying someone was expressing an opinion, the. In art, as in life, gesture and speech have to be seen or heard in context in order to be fully understood. Context is whats happening while actions are taking place.
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